China Design Now Data

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i’ve been by the china design now show at the portland art museum a couple of times (if you haven’t gone, i highly suggest that you do). however, this time i decided to focus on the factual information on the wall, which was quite astounding. i don’t know the background or research processes behind this data but interesting how these facts try to reflect the enormity of china.

Laser Cut Box Series

here are a few photos of the boxes i’ve been working on for my 2d design class. eventually, i’d like to make them into light boxes so that the light shines through the characters and asterisks. i’m thinking of using red led lights and wiring them to a battery. the chinese characters literally translate to contemporary design china. they are inspired by the china design now show at the portland art museum.

lasercut-box01

lasercut-box02

lasercut-box-03

lasercut-box04

lasercut-box05

i’d like think of this project as an experiment in process and figuring out the laser cutter. if i were to laser cut these boxes again, i’d account more for paper thickness because opening and closing these boxes can be quite difficult since the tab is a very snug fit.

“Inspiration China” Opening at the White Box

white orchid from Alison Ho on Vimeo.

first show ever. intense.

i’m so glad i survived the process. the show is a success and am so happy to be a part of this experience. i think this could be a start to a new addiction (salter, you were right).

the show will run from October 8th-Friday, November 20th.
the White Box is open noon-6pm, Tuesday-Saturday.
the address for the White Box is:
24 NW First Avenue
Portland, OR 97209
503-412-3696

here is a little bit that i wrote about my piece:

At the most basic level, handwriting and painting are man’s
most personalized forms of mark making. Each stroke or flick
of a pen or brush tells us something inherently unique about
the writer or artist. Many Chinese say that writing ultimately
shows a person’s innermost character.

Chinese writing, like brush painting, has structured methods
of creation with traits and techniques as distinctive as the
artists who create it.

In brush painting, there are no extra marks to indicate
shadows, and so each time a brush is loaded with paint,
there must be two colors – showing depth and dimension
without extra strokes. Brush painting is a quick art – most
paintings can be completed in ten minutes or less.
In Chinese writing (fantizi and jiantizi), each character’s
evolution from its origins to its present-day design is linked
to the democratization of the written language. Today’s
written language includes everything from complicated
pictograms to the simplified and traditional Chinese characters
– writing which becomes art, delicately formed the skillful
hand of a Chinese calligraphist.

This project is a macro view of the choreographed dance
between brush, ink, and paper. This video reveals a sensuous
flow and tempo as the ink is diffused onto the paper in the
most precise yet expressive way. The brush moves through
the frame in sweeping and staccato movements. There is a
give and take between the pressing and lifting of the brush
as the ink meets the paper. It gives a pervasive look into a
tactile process that is somewhat hidden – and nearly forgotten –
in an increasingly digital world.

Thank you to Ming Fen Lee for her permission to be filmed
and interviewed for this video.

if you’d like to check more out about the show, here is the press release for the school. unfortunately, my video wasn’t up and running so there is a picture of the mac screensaver…yes i know epic fail but the pictures of the white box are lovely.

i hope you all get a chance to check the show out! the artwork is amazing. woot.